What is "Handcrafted and Handforged"?

The metalwork from the studio of George Dixon, Metalsmith is made by hand. Centuries old techniques are faithfully applied with traditional, often period tools. Iron, heated to 2000 degrees is forged with hammer and anvil. Bronze, worked both cold and hot is coaxed into distinct shapes and representations. Fine details are chiseled into the surface. Forged textures and effects give a unique feel and look to every component, to every piece. From elegant pierced decorative expressions in sheet iron to boldly forged statements of traditional motifs in solid stock, all work meets the highest standards of craftsmanship and design.

What is "Handfinished"?

Each forged piece is hand sanded to reveal the intricate textural effects that only come from the traditional fires of a smithy. Bronzes are brushed and hand rubbed to bring out a luster that mechanical means have never come close to. The finishes are traditional. The same finishes have been on art-metalwork since the turn of this century with no degradation in appearance. These are clear coats that allow the metal textures to be seen, I do not paint. I do not do exterior work. My work, when the hand finish process is complete will stand for decades with only periodic care, not unlike that which fine wood furniture requires .

How do I Order a Limited Edition or Custom Item?

To begin a discussion about acquiring a custom or limited edition piece you may either write or call. If you prefer, send E-Mail to George Dixon, Metalsmith. Drawings are part of the design dialog. There is never a charge for initial sketches or quotes. Budget parameters are established, designs are finalized, a shipping date is set and upon receipt of a deposit for custom work, the project is moved to completion. References can be supplied with initial sketches. A detailed, constantly updated catalog of available limited edition items and past custom work is available upon request.

Resume

George Dixon has over fifteen years experience in traditional metalwork. As the last Head Blacksmith at the historic firm of Samuel Yellin, Metalworkers, he has an established reputation in the art of traditional forge work. Designs from personal interpretations of historic motifs to the Grilles on the Curtis School of Music's entrance in Philadelphia all involve an intense attention to detail and quality. In addition to forge work, he teaches this ancient art at craft schools and colleges around the United States. It is more than a living, it is a life.

Publisher, The Artist-Blacksmith Quarterly

Director: 1998 ABANA Conference

Owner: The Old Philadelphia Tool Company

Owner: Bear Creek Woodworking Tools

Owner: Tools, tooling and related items from the period of Samuel Yellin from Ms. Clare Yellin.

BAS - Industrial Science, University of Minnesota 1985

BA - History, University of Minnesota 1977

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